What can a metamorphosing beetle and a kidnapped art student teach us about the lived experience of incarceration? In this powerful literary essay, El Jamieson explores how two classic works – Franz Kafka’s The Metamorphosis and John Fowles’ The Collector – reveal uncomfortable truths about isolation, gender, and the dehumanising nature of imprisonment.
At first glance, the stories could not be more different. Kafka’s Gregor Samsa awakens as an enormous insect, locked away by the very family he once supported. Miranda Grey, in Fowles’ unsettling novel, is abducted and held captive in a basement by a man who believes he deserves her. Yet Jamieson draws the two together with striking clarity, showing how both texts mirror the conditions faced by women in UK prisons today, from enforced separation from family and children to the erosion of autonomy, identity, and dignity.
Miranda’s confinement becomes a chilling metaphor for a criminal justice system shaped by male dominance and blind spots. Her illness, ignored and untreated, echoes the reality that women in UK prisons receive poorer health and social care than any other group. Meanwhile, Gregor’s transformation, and his family’s swift rejection, captures the societal stigma that follows incarcerated women long after release.
Through close reading and contemporary parallels, Jamieson reveals how literature exposes what statistics can’t fully convey: the emotional violence of being othered, confined, and forgotten.
Literature That Transforms invites readers to reconsider two canonical texts through a feminist and justice-focused lens, and to confront the real-world systems they reflect.
Read the full essay in The View 15, where culture, critique, and lived experience meet.
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